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فلسفه::
پدیداری مشترک
The image becomes the effect of the image, which amply describes the reciprocity and co-emergence of meaning in the world and in our subjective self-giveness without any objectification in a singular, simplistic sense taking place.
While it is important not to confuse Zahavi's critique of the crude inner-outer division (externalism and internalism) with the subject-object distinction, any argument that sophisticatedly deconstructs crude binaries of this kind with the concept of co-emergence can expect to be co-opted for other, similar tasks beyond the author's intention.
Thus, interpenetration, Durchdringung in Husserlian terminology, and co-emergence may be used to re-examine the subject object divide and subsequently, the relationship between prereflexive and reflexive self-consciousness and consciousness and the world.
Subjective self- giveness can co-emerge in the art experience of frames-in-frames as a process of the suspension between art and the viewer, witnessed in the common and simple 'suspension of disbelief' or in the totally immersed moment of viewing that Sartre's speaks of before those footsteps trample all over it.
This co-emergence is not as simple as it seems, for it presupposes an emergence out of something else, it is not just a co-appearance from nothingness, the underlying logic is that something happens inside something else in order for it to come out, and thus emergence is yet another (unacknowledged) euphemism for a framing device or process (or a transcendental ego) and which defines its economy as a seriality of becoming.
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